Colour · Eye
Black eyeshadow
Every eyeshadow colour has a skin tone it flatters and one it fights, and the difference is temperature rather than depth.
Written by Lamyaa Aissi, professional makeup artist, Casablanca.
Judge it against your own colouring in daylight rather than against the photograph that sold it.
What actually decides it
Pigment load first, then temperature. A weak formula in the right colour does nothing; a strong formula in the wrong temperature reads as dirt.
Why black specifically. Black takes light away from underneath the face, so everything above it has to work slightly harder.
This is the one case where a stronger lip or eye is usually correct rather than excessive.
On Moroccan skin, in a Moroccan climate
The constant across this site: warm bronzes, coppers, terracottas and golds read on olive and deeper skin, while cool taupes and greyed browns tend to read as dullness rather than depth.
What it will not do
Colour does not create shape. Placement does that, and a beautiful colour badly placed still reads as a mistake.
Questions
What decides black eyeshadow?
Pigment load first, then temperature. A weak formula in the right colour does nothing; a strong formula in the wrong temperature reads as dirt.
Does this change on Moroccan skin or in a Moroccan climate?
The constant across this site: warm bronzes, coppers, terracottas and golds read on olive and deeper skin, while cool taupes and greyed browns tend to read as dullness rather than depth.
What will it not do?
Colour does not create shape. Placement does that, and a beautiful colour badly placed still reads as a mistake.
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