Colour · Eye
Red eyeshadow looks
Every eyeshadow colour has a skin tone it flatters and one it fights, and the difference is temperature rather than depth.
Written by Lamyaa Aissi, professional makeup artist, Casablanca.
Build in thin layers so every stage stays correctable.
What actually decides it
Pigment load first, then temperature. A weak formula in the right colour does nothing; a strong formula in the wrong temperature reads as dirt.
Why red specifically. Red reflects onto the skin and warms it, so the face needs less warmth added, not more.
Keep the cheek soft and the eye neutral. A red garment plus a red lip plus a warm cheek is three things competing.
On Moroccan skin, in a Moroccan climate
The constant across this site: warm bronzes, coppers, terracottas and golds read on olive and deeper skin, while cool taupes and greyed browns tend to read as dullness rather than depth.
What it will not do
Colour does not create shape. Placement does that, and a beautiful colour badly placed still reads as a mistake.
Questions
What decides red eyeshadow looks?
Pigment load first, then temperature. A weak formula in the right colour does nothing; a strong formula in the wrong temperature reads as dirt.
Does this change on Moroccan skin or in a Moroccan climate?
The constant across this site: warm bronzes, coppers, terracottas and golds read on olive and deeper skin, while cool taupes and greyed browns tend to read as dullness rather than depth.
What will it not do?
Colour does not create shape. Placement does that, and a beautiful colour badly placed still reads as a mistake.
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